Even The Smiths, a band known for their rejection of synthesizers and dance-pop, couldn't resist the use of electronic wizardry. Jefferson Airplane, a much-loved hardline rock band from the 60s which through its tumultuous history morphed into Jefferson Starship then finally Starship, with that final incarnation completely embracing the commercial, electronic wave of the era-much to the chagrin of their long-time fans. It proved irresistible even to bands that were long-standing vanguards of their genre. While their disco roots was still prevalent, that heavily synthesized bassline and intro vocals is undeniably 80s and the electronic shift that came with the era. Earth, Wind & Fire, a band that rode the disco scene to superstardom, incorporated the electronic sound in their 1981 album Raise! with the sound fully realized in the disco-synth hit in Let's Groove. This paradigm shift in music production predicated an era of electronically-produced music, a wave that proved to be an unstoppable force of nature. This digital (music) revolution allowed for everyone to achieve that sound in an easily-reproducible way, thus allowing for its proliferation throughout the airwaves and into the lives of everyone who had at least a radio. It's the natural evolution of the disco, albeit a much lively and more electronic evolution. It's this transcendental vigor of energy and dance of most gated reverb songs that enveloped the music scene of the 80s. Even the mellow Every Breath You Take reeks of the energy. (And yes, Footloose by Kenny Loggins has a gated reverb drum line). It's a Footloose in each and single one of them. That pronounced snare drum claps very prominently throughout all those 80s songs. And that's not even a figure of speech, that gated reverb snare drum is the one you'll clap along to, along thousands of people listening independently like a concert that permeates through space and time. It's the enthusiasm, the tempo, the outpouring energy of these songs punctuated with the gated reverb drum line that make them irresistible to slide and pump and clap to. Listening to other gated reverb classics like We Built This City, Karma Chameleon, and I Think We're Alone Now exemplifies the 80s mood perfectly. Callithump is also adept in combat, having a chaotic, brutal fighting style with a dance-like flourish in which they use all manner of tricks and weapons, though preferring polearms and throwing knives. #Chameleons vox youtube skin#While they do feel bitterness toward their foster father, Callithump is unwilling to ally themself with his archrival, and find the harassment annoying.Ĭhameleon-like in ability, Callithump is capable of minor shapeshifting, able to change the colors and patterns of their skin as well as the shape of their face, an ability they use freely in the entertainment industry. Vox in particular likes to keep tabs on them whenever they're in Pride and has convinced his allies to assist in trying to recruit them. Their situation is not lost on Alastor's rivals and enemies, who frequently approach them with the intention of using them against the powerful demon who used to care for them. They hope to regain their foster father's attention one day, but that hope has dwindled over the years. The trauma of being abandoned twice has made them slow to trust others, and they hardly ever present themself as they truly are, instead masking themself with various upbeat, entertaining, and mysterious personas. Despite everything, Callithump continued to enjoy entertaining others and has dabbled in just about every form of entertainment in order to support themself. #Chameleons vox youtube how to#Distraught and alone, Callithump had to learn quickly how to win fights against demons much larger than themself. The parent-child relationship was not meant to last, though, and Callithump's foster father abandoned them as soon as he considered them able to take care of themself. Under his care, the imp hybrid developed a love for music and dancing, along with all other manner of physically present entertainment activities. Abandoned by their birth parents as a baby, Callithump was found and raised by Alastor, the Radio Demon, for the first few years of their life.
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